Melissa Manchester is one of the finest singers and songwriters of the 20th century and is consistently underrated. She's too good--that's why. What can't she do? Her voice is so big and full and rich. Her songs are so powerful and emotional, that, really, I think record companies thought to themselves: "What is she, Broadway? Cabaret? I don't get it." So they tried to force her into a pop songbird, which she could do beautifully as well. Fabulous wonderful singer, full of life, love and music, a spirt shining with magical talent that I hope others can discover and appreciate. You are loved Melissa!
Houston's Theatre Under The Stars's TUTS Underground will present the world premiere of a new musical featuring a score by Melissa Manchester (Grammy Award-winning singer/songwriter) and Sharon Vaughn titled SWEET
Melissa Manchester’s extraordinary career began when the native New Yorker signed her first publishing deal at 17. Soon she was backing up Bette Midler as a founding member of the Harlettes and studying songwriting with Paul Simon at New York University.
MOR singer/songwriter Melissa Manchester, whose father was a bassoonist for the New York Metropolitan Opera, began singing commercial jingles at age 15 and went on to become a staff writer for Chappell Music while attending the High School of Performing Arts. After taking a songwriting class at New York University taught by Paul Simon, Manchester took her talents to the Manhattan club scene, where she was discovered by Bette Midler and Barry Manilow; the two hired her as a backup singer in 1971. She recorded her debut album, Home to Myself, in 1973, co-writing many of the songs with Carole Bayer Sager. Released in 1975, Melissa produced her first Top Ten hit, "Midnight Blue," and set the tone for most of her career with its direct, slickly produced MOR pop sound. She and Kenny Loggins co-wrote the latter's 1978 duet hit with Stevie Nicks, "Whenever I Call You Friend," and the following year, Manchester returned to the Top Ten with "Don't Cry Out Loud." In 1980, Manchester became the first singer to have two movie themes nominated for Academy Awards (Ice Castles and The Promise); two years later she achieved her highest Billboard singles chart placement with the number five hit "You Should Hear How She Talks About You," which won a Grammy for Best Female Vocal Performance. Through the '80s and '90s, Manchester alternated occasional recording with scriptwriting and acting, appearing with Bette Midler in For the Boys and on the television series Blossom as the title character's birth mother. In spring 2004, Manchester returned with her first album in ten years. When I Look Down That Road, which included collaborations with Beth Nielsen Chapman and Keb' Mo' and marked her first proper release with Koch. ~ Steve Huey